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According to Hillary Clinton, “Hip Hop is America," she said, noting that rap and other musical forms could help "rebuild the image" of the United States.” “Since 2005, the US State Department has been using hip-hop as a bridge for foreign cultural diplomacy.” “Yet regardless of its impact on the revolutions—something that's impossible to gauge—rap has spread everywhere.” “..If the government expended more effort helping the blighted and impoverished black communities most of it comes from, it wouldn't be so reviled …” (See Reference, 4) The major monetary contributions flowing from Hip Hop music into the economy of the United States of America suggests Hip Hop music is highly coveted and a driving force behind the overall wellbeing of the citizens of America. Having become so useful in both national and foreign affairs leads one to presume Hip Hop recording artists receive significant earnings.

Let’s bring this topic closer to home. Most people enjoy music of some sort. Do you love music? Imagine your favorite songs. Acknowledge how your favorite songs make you feel. Now imagine billions of people enjoying the same music. Imagine that Hip Hop, America’s favorite music, suddenly stops streaming. Now imagine life without music and multiply that feeling by a nation. Music no longer exists. When I imagine life without music, it reminds me of a nation without an army. As a former Air Force veteran, I know the contribution we make as a military unit first hand. On the battlefield there are frontline soldiers and there are soldiers hundreds of feet away from battlegrounds in underground bunkers. When the war is won, no one cares whether you were in the front of the line or the back. Every military member counts as an army of one. What do military veterans have in common with veterans of the Music Industry? They are the gatekeepers of peace and freedom in the United States of America.

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SAVING THE HEART OF THE MUSIC INDUSTRY

By. DeAndra Smith, CEO

StampDMedia

 

The Music Industry is at risk of having a heart attack. Who will nurse the industry back to health? Based on the current state of the music industry; CD sells, Concerts and major tours are not going to cover the costs. With careful consideration, I have decided to take the first step and call on the American government to fix it. I give ode to stars such as, Lisa ‘Left Eye’ Lopes, a popular member of the singing group, “TLC”. TLC was, “the ‘brokest’ multi-platinum album selling artists, according to Essense.com (See Reference, 1). Tupac Shakur, who pumped his very own blood into the veins of the Music Industry, yet died $5 million dollars in debt according to eonline.com (See Reference, 2).

 

While some stars enjoy lavish lives filled with fame, others starve behind, “smoke and mirrors”. “Smoke and mirrors is a metaphor for a deceptive, fraudulent or insubstantial explanation or description. The source of the name is based on magicians' illusions, where magicians make objects appear or disappear by extending or retracting mirrors amid a distracting burst of smoke.” (See Reference, 3)This is a term used in the Music Industry mostly when referring to something or someone that has a lot of fame and very little money. “More generally, "smoke and mirrors" may refer to any sort of presentation by which the audience is intended to be deceived, such as an attempt to fool a prospective client into thinking that one has capabilities necessary to deliver a product in question.” (See Reference, 3) That brings along my next subject.

Based on recent information, we can also conclude that the Hip Hop Community is just as essential to the American people as soldiers are to wartime. “The State Department began using hip-hop as a tool in the mid-2000s, when, in the wake of Abu Ghraib and the resurgence of the Taliban, Karen Hughes, then undersecretary of state for public diplomacy, launched an initiative called Rhythm Road. The program was modeled on the jazz diplomacy initiative of the Cold War era, except that in the "War on Terror", hip hop would play the central role of countering "poor perceptions" of the US. (See Reference, 5) How can a nation acknowledge their greatest debtors and yet not pay them. Aside from all the good the military offers its soldiers such as free housing, healthcare and food; it also offers death on the battlefield when necessary. The Industry has its perks too, such as, one minute someone is hot and the next minute they’re not. Despite all the sex, lies and videotapes displaying the smoke and mirrors of the entertainment industry as shown in the hit show, “The LA Complex” (See Reference, 6),some of these Industry veterans are barely making ends meet. Imagine if children were to see their childhood star on the street begging for bread. Would seeing their idols in less fortunate circumstances nationwide kill their dreams? Would not the hope of the American Dream be lost to millions of talented young people who want to use their God given ability to uplift the world around them?

America is founded on the allegiance that it is, “one nation under God indivisible”. (See Reference, 7) “If the business men and women of America would use the capitalist system to multiply talents and at the same time give love in self-help projects of the community--instead of amassing more wealth than they need to live comfortably—there would be no need for welfare programs; communism would have no allure and socialism would be out of style; the little people would have a sense of self-worth and a sacred labor and they would still hold in their hearts the American dream of the abundant life which Christ comes to give us by way of our own exercise of free will and ingenuity and love.”(See Reference, 14) Likewise,theAmerican government must forgive the Hip Hop Community of their debts as the Hip Hop Community forgives their debtors. According to the faith of America, if we forgive others their debts, God will forgive this nation of its debts. "You have to bet at the end of the day, people will choose freedom over tyranny if they're given a choice," Clinton observed of the State Department's hip hop program in Syria". (See Reference, 5) I’m certain; most people would agree to be forgiven of their debts as well. “The Lord’s Prayer says, “Forgive our debts”—and here’s the secret magic word: “as we forgive our debtors.” People have gotten the wrong idea about that. They don’t quite understand what that means. That’s a formula. That means forgive us our debts as—in the same way in which—we forgive our debtors. And if you don’t forgive people that have wronged you, you aren’t going to have your wrongs forgiven either, because that prayer is a true statement of God’s law.” (See Reference, 8) Therefore, the American government must fund the Industry that upholds it.

How do I propose this? Consider the young songstress and actress, Marilyn Monroe. March 9, 1948, Marilyn Monroe, formerly known as Norma Jeane Dougherty, earned $125 a week after signing with Columbia Pictures. (See Reference, 9) Later, in 1962 she’ll earn $250,000 per picture more than twice her normal rates. (See Reference, 9) Without discrediting her worth, Marilyn represents a small percentage of stars who earned their keep nearly 100 years.

ago, while entertainers today, like the black highly successful R&B Diva and leader of the Hip Hop Community, Beyoncé Knowles, earn their keep but sing of the difficulties in maintaining a vicious façade of wealth, in her 2014 hit single, “Pretty Hurts”, from her self-titled visionary album. (See Reference, 10) Although, Beyoncé is definitely raking in major profits, like Marilyn Monroe, she too connected with the political arena, namely the President, to aid in her monetary value. (See References 11, 12) Still, rappers like Ace Hood, rap about struggling to care for his family, in the hit single, “Hustle Hard”. (See Reference, 13) Most celebrities wish they were living the life of the rich and famous like Jay Z and Puff Daddy. Instead, they are literally dreaming.

Among the largest groups of consumers in the nation are consumers of the Hip Hop Industry. The Music Industry requires even more funding to fuel the music makers. In order to honor their hefty contributions and save the music, we must first save the music makers. The Recording Artists and their essential staff in the Hip Hop Community are amongst the music makers. Hip Hop plays a major role internationally on behalf of the United States of America. “The jazz tours of the Cold War saw the US government sent integrated bands led by Dizzy Gillespie, Louis Armstrong, Duke Ellington and Benny Goodman to various parts of Africa, Asia and the Middle East to counter Soviet propaganda about American racial practices, and to get people in other countries to identify with "the American way of life." “As historian Penny Von Eschen writes in her pioneering book Satchmo Blows Up the World, in the 1950s, the State Department believed that African-American culture could convey "a sense of shared suffering, as well as the conviction that equality could be gained under the American political system" to people who had suffered European colonialism.” “The choice of hip hop is ironic: The very music blamed for a range of social ills at home - violence, misogyny, consumerism, academic underperformance - is being deployed abroad in the hopes of making the US safer and better-liked.” (See Reference, 5)

Hip Hop music is treated, in the United States of America, like cocaine trafficking is in the Columbian economy (See Reference, 14). How do I propose the government fund the Music Industry more directly? “Hip hop activists have long been concerned about how to protect their music from corporate power, but now that the music is being used in diplomacy and

counter terrorism, the conversation is shifting.” (See Reference, 5) I propose starting with the veterans of the Music Industry here in America. “When asked if there are times a musician can do her job better, Secretary of State Hillary Rodham Clinton replied, "Well, I think that there are certainly times when music conveys American values better than a speech.” “The program, called the Rhythm Road, is a $1.5 million-a-year effort, in partnership with the Jazz at Lincoln Center organization.” “It's not a new idea. Beginning in the 1950s, the State Department sent musicians like Duke Ellington, Dizzy Gillespie, Louis Armstrong and others to diplomatic hotspots overseas.” (See Reference, 15)“Observers of public life and civil society agree that the civic health of a community is largely determined by the availability and abundance of its “social capital” (See Reference, 16) The Hip Hop Community deserves reciprocity. Even if they must begin at $125 a week, it’s a start for those who qualify. Save the Hip Hop Music Industry. The Hip Hop Veterans are “The Heart of the Industry”.

SAVING THE HEART OF THE MUSIC INDUSTRY 6

REFERENCES

1. Yolanda Sangweni. Friday, October 18, 2013 | 7:25 PM. EXCLUSIVE: 5 Things You Didn't Know About Chilli and T-Boz from TLC. Source: http://www.essence.com/2013/10/18/tlc-biopic-5-things-you-did-not-know/

2. Marcus Errico. Tue., Dec. 24, 1996 3:00 PM PST. NEWS/ Tupac Died $5Million in Debt, Report Says. Source:http://www.eonline.com/news/33901/tupac-died-5-million-in-debt-report-says.

3. Source: http://en.wikipedia.org/wiki/Smoke_and_mirrors

4. AlterNet/Julianne Escobedo Shepherd. Hip-Hop Diplomacy? How the State Department Uses Rap to Spread Propaganda Abroad: There is hypocrisy in the State Department's cultural diplomacy efforts. January4, 2012. Source: http://www.alternet.org/story/153662/hiphop_diplomacy_how_the_state_department_uses_rap_to_spread_propaganda_abroad

5. (Hishaam Aidi. Leveraging hip hop in US foreign policy: Diplomats and officials use the music of the oppressed to connect with disaffected Muslim youth. Last Modified: 07 Nov 2011. 17:42. Source: http://www.aljazeera.com/indepth/opinion/2011/10/2011103091018299924.html.)

 

Posted on 02/16/2014 at 9:07:34 PM

Tonja Kendall

DeAndra, your essay Saving the heart of the music industry is concerning the music industry's current state, and the artists whom might be suffering as a result of it, as well as the many contributions that the hip hop industry has given, including to diplomacy and creating a better image for the United States abroad. The appeal was to save the Heart of the Industry, that being the veterans of hip hop themselves. Personally, I feel that this essay is already very strong, and very to the point in the appeal that was chosen. There are plenty of references to underscore points you bring up, and you cover all aspects of your topic very well. As for anything that could be stronger, I can't really see anything that would need improving.

Posted on 02/20/2014 at 11:58:42 AM

6. The LA Complex. Source: http://www.imdb.com/title/tt1794147/

7. Source: http://en.wikipedia.org/wiki/Pledge_of_Allegiance

8. Elizabeth Clare Prophet. 1985. Mysteries of the Holy Grail, 326,327.

9. February/March. Special Newsweek Edition, 11, 15.

10. Beyoncé Knowles. 2014. Pretty Hurts,

11. J Randy Taraborrelli. Madness of Marilyn: The affair with JFK and the drug crazed paranoia that put her in a padded cell. UPDATED: 07:11 EST, 29 August 2009. Source: http://www.dailymail.co.uk/femail/article-1209783/Madness-Marilyn-Monroe-The-affair-JFK-drug-crazed-paranoia.html

12. Beyoncé’s Obama 'affair' makes headlines. Tuesday 11 Feb 2014 11:22a.m. Source: http://www.3news.co.nz/Beyonces-Obama-affair-makes-headlines/tabid/418/articleID/331745/Default.aspx

13. Source: http://www.azlyrics.com/lyrics/acehood/hustlehard.html

14. Riona Maclachlan. Colombian Drug Trade - Help or Hindrance? Posted by s16746 on November 8, 2012 at 7:55 AM. Source: http://gc-economics.webs.com/apps/blog/show/19841052-colombian-drug-trade-help-or-hindrance-

15. Tracy Smith/CBS NEWS CBS. U.S. Diplomacy: Hitting the Right Notes. July 4, 2010, 8:16 AM. Source: http://www.cbsnews.com/news/us-diplomacy-hitting-the-right-notes/.

16. (EBSCOHOST Database: Academic Search Complete) Sullivan, Lisa Y. Hip Hop Nation: The undeveloped Social Capital of Black Urban America. Fall 97.Source: National Civic Review,00279013, Vol. 86, Issue 3.

Blair "VanTaylor" Giles

I love this essay because I am a "music junkie" and I feel the same way that you feel in this essay. It is easy to pinpoint what your issue is and your stance on the issue. The writing in this essay is clear and it takes no shortcuts to get to the point. You discussed a well known issue that has yet to be solved and you have many outlets of support with this issue. You showed the outlets to support your statements with the amount of references included in your essay. I think that your opening paragraph is amazing and it draws the reader in. Honestly, the first sentence made me want to read more. "The music industry is having a heart attack" I like that opening sentence. It seems that you paid attention to the instructions in our E-book. I honestly can not offer you any suggestions for this essay because I think you did an amazing job with identifying the issue, supporting your stance and revealing your call to action.

Posted on 02/23/2014 at 6:43:52 PM

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